Skip to main content

Charlie Chaplin's " The Pawnshop"

Movies Preview

movies
Charlie Chaplin's " The Pawnshop"


Published 1916


Charlie Chaplin's 56th Film Released Oct 02 1916.

The Pawnshop was Charlie Chaplin's sixth film for Mutual Film Company. Chaplin played the role of assistant to the pawnshop owner. Henry Bergman played the owner and Edna Purviance the owner's daughter. Albert Austin played an alarm clock owner who watches Charlie in dismay as he checks out the clock. This was one of Chaplin's more popular Mutual Films, mainly for the slapstick comedy he was famous for at the time.

http://www.imdb.com/title/tt0007162/


Audio/Visual sound, B/W
Contact Information <html> <head> <title>Internet Archive Charlie Chaplins</title> </head> <body> </script> <div id=yiv1174648510><div>Charlie Chaplin In The Internet Archive</div> <div> </div> <div><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_02_02_MakingALiving">http://www.archive.org/details/CC_1914_02_02_MakingALiving</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_02_07_KidsAutoRaceAtVenice">http://www.archive.org/details/CC_1914_02_07_KidsAutoRaceAtVenice</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_02_09_MabelsStrangePredicament">http://www.archive.org/details/CC_1914_02_09_MabelsStrangePredicament</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_02_28_BetweenShowers">http://www.archive.org/details/CC_1914_02_28_BetweenShowers</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_03_02_FilmJohnny">http://www.archive.org/details/CC_1914_03_02_FilmJohnny</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_03_16_HisFavoritePasttime">http://www.archive.org/details/CC_1914_03_16_HisFavoritePasttime</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_03_26_CruelCruelLove">http://www.archive.org/details/CC_1914_03_26_CruelCruelLove</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_04_04_TheLandladysPet">http://www.archive.org/details/CC_1914_04_04_TheLandladysPet</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_04_20_TwentyMinutesofLove">http://www.archive.org/details/CC_1914_04_20_TwentyMinutesofLove</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_04_27_CaughtinaCaberet">http://www.archive.org/details/CC_1914_04_27_CaughtinaCaberet</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_05_07_ABusyDay">http://www.archive.org/details/CC_1914_05_07_ABusyDay</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_06_01_TheFatalMallet">http://www.archive.org/details/CC_1914_06_01_TheFatalMallet</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_06_11_TheKnockout">http://www.archive.org/details/CC_1914_06_11_TheKnockout</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_06_13_MabelsBusyDay">http://www.archive.org/details/CC_1914_06_13_MabelsBusyDay</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_06_20_CharlottEtLeMannequin">http://www.archive.org/details/CC_1914_06_20_CharlottEtLeMannequin</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_07_09_LaffingGas">http://www.archive.org/details/CC_1914_07_09_LaffingGas</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_08_01_CharolotGargonDeTheater">http://www.archive.org/details/CC_1914_08_01_CharolotGargonDeTheater</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_08_10_FaceOnTheBarroomFloor">http://www.archive.org/details/CC_1914_08_10_FaceOnTheBarroomFloor</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_08_13_CharliesRecreation">http://www.archive.org/details/CC_1914_08_13_CharliesRecreation</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_08_27_TheMasquerader">http://www.archive.org/details/CC_1914_08_27_TheMasquerader</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_08_31_TheGoodforNothing">http://www.archive.org/details/CC_1914_08_31_TheGoodforNothing</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_09_07_TheRounders">http://www.archive.org/details/CC_1914_09_07_TheRounders</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_09_14_TheNewJanitor">http://www.archive.org/details/CC_1914_09_14_TheNewJanitor</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_10_10_TheRivalMashers">http://www.archive.org/details/CC_1914_10_10_TheRivalMashers</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_10_26_DoughandDynamite">http://www.archive.org/details/CC_1914_10_26_DoughandDynamite</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_10_29_CharlottMabelAuxCourses">http://www.archive.org/details/CC_1914_10_29_CharlottMabelAuxCourses</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_11_14_TilliesPuncturedRomance">http://www.archive.org/details/CC_1914_11_14_TilliesPuncturedRomance</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_11_07_MusicalTramps">http://www.archive.org/details/CC_1914_11_07_MusicalTramps</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_11_09_HisTrystingPlace">http://www.archive.org/details/CC_1914_11_09_HisTrystingPlace</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_12_05_AFairExchange">http://www.archive.org/details/CC_1914_12_05_AFairExchange</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1914_12_07_HisPrehistoricpast">http://www.archive.org/details/CC_1914_12_07_HisPrehistoricpast</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_02_01_HisNewJob">http://www.archive.org/details/CC_1915_02_01_HisNewJob</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_02_15_ANightOut">http://www.archive.org/details/CC_1915_02_15_ANightOut</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_03_01_TheChampion">http://www.archive.org/details/CC_1915_03_01_TheChampion</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_03_18_InThePark">http://www.archive.org/details/CC_1915_03_18_InThePark</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_04_11_TheTramp">http://www.archive.org/details/CC_1915_04_11_TheTramp</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_04_29_ByTheSea">http://www.archive.org/details/CC_1915_04_29_ByTheSea</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_06_21_Work">http://www.archive.org/details/CC_1915_06_21_Work</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_07_12_AWoman">http://www.archive.org/details/CC_1915_07_12_AWoman</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_08_09_TheBank">http://www.archive.org/details/CC_1915_08_09_TheBank</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_10_04_CharlieShanghaied">http://www.archive.org/details/CC_1915_10_04_CharlieShanghaied</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_11_20_ANightInTheShow">http://www.archive.org/details/CC_1915_11_20_ANightInTheShow</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1915_12_18_ABurlesqueOnCarmen">http://www.archive.org/details/CC_1915_12_18_ABurlesqueOnCarmen</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_05_15_TheFloorwalker">http://www.archive.org/details/CC_1916_05_15_TheFloorwalker</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_05_27_Police">http://www.archive.org/details/CC_1916_05_27_Police</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_06_12_TheFireman">http://www.archive.org/details/CC_1916_06_12_TheFireman</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_07_10_TheVagabond">http://www.archive.org/details/CC_1916_07_10_TheVagabond</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_08_07_One_A_M">http://www.archive.org/details/CC_1916_08_07_One_A_M</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_09_04_TheCount">http://www.archive.org/details/CC_1916_09_04_TheCount</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_10_02_ThePawnshop">http://www.archive.org/details/CC_1916_10_02_ThePawnshop</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_11_13_BehindtheScreen">http://www.archive.org/details/CC_1916_11_13_BehindtheScreen</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1916_12_04_TheRink">http://www.archive.org/details/CC_1916_12_04_TheRink</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1917_04_16_TheCure">http://www.archive.org/details/CC_1917_04_16_TheCure</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1917_06_17_TheImmigrant">http://www.archive.org/details/CC_1917_06_17_TheImmigrant</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1917_10_22_TheAdventurer">http://www.archive.org/details/CC_1917_10_22_TheAdventurer</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1918_09_29_TheBond">http://www.archive.org/details/CC_1918_09_29_TheBond</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1918_10_20_ShoulderArms">http://www.archive.org/details/CC_1918_10_20_ShoulderArms</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1918_xx_xx_TripleTrouble">http://www.archive.org/details/CC_1918_xx_xx_TripleTrouble</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1919_06_15_Sunnyside">http://www.archive.org/details/CC_1919_06_15_Sunnyside</a><br><a rel="nofollow" target="_blank" href="http://www.archive.org/details/CC_1919_12_15_ADaysPleasure">http://www.archive.org/details/CC_1919_12_15_ADaysPleasure</a></div> <div> </div> <div> </div> <div> </div><p> __________________________________________________<br> </body> </html>

Credits

Charles Chaplin : Pawnshop assistant
Henry Bergman : Pawnbroker
Edna Purviance : His daughter
John Rand : Pawnshop assistant
Albert Austin : Client with clock
Wesley Ruggles : Client with ring
Eric Campbell : Burglar

comment
Reviews

Reviewer: AliZaid - favoritefavoritefavoritefavoritefavorite - January 15, 2015
Subject: When CC and JR Outshine the Rest
Charlie and John Rand slapstick fights are really classic. Only the two could create such a believable and crazily great action. Don't miss it.
SIMILAR ITEMS (based on metadata)
Silent Films
movies
eye 312,858
favorite 16
comment 1
favoritefavoritefavoritefavorite ( 1 reviews )
Silent Films
movies
eye 24,319
favorite 9
comment 0
Silent Films
movies
eye 25,053
favorite 7
comment 0
Silent Films
movies
eye 22,658
favorite 8
comment 0
Silent Films
movies
eye 28,905
favorite 9
comment 1
favoritefavoritefavoritefavorite ( 1 reviews )
Silent Films
movies
eye 273,608
favorite 6
comment 0
Silent Films
movies
eye 39,697
favorite 14
comment 1
favoritefavoritefavoritefavoritefavorite ( 1 reviews )
Silent Films
movies
eye 92,370
favorite 7
comment 0
Silent Films
movies
eye 28,924
favorite 11
comment 2
favoritefavoritefavoritefavorite ( 2 reviews )
Silent Films
movies
eye 284,457
favorite 17
comment 1
favoritefavoritefavorite ( 1 reviews )